Is it sacrilege to declare that the best-looking film set in Paris was shot by a couple of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French capital – as well as the neoclassical edifices of Mussolini’s Rome – in cool Chagrin and shards of light as sharp https://gregoryvbyjl.glifeblog.com/31793619/un-impartiale-vue-de-formats-multiples