Is it sacrilege to declare that the best-looking film established in Paris was shot by a few Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French money – together with the neoclassical edifices of Mussolini’s Rome – in great blues and shards of light as sharp as being https://colab.research.google.com/drive/1uOuqECQ6jeJrjgNVNnwzuHGx1fUW-_eg?hl=ro